![]() ![]() In 1966, $tud was published, written from the perspective of a "cocky male hustler who made no bones about his illicit profession, nor his countless erotic encounters." He continued to write steamy gay literature, works like Shuttlecock and The Boys In Blue. In contrast to other gay pulp novels that were somewhat hopeless and laden with alcoholism and defeat, his writing provided an alternative vision of gay experiences which were better described as "the happiest pornography. kept a stud file of his sexual conquests, and ran a successful tattoo. He took the name Phil Andros, the name he used when he began writing graphic novels. Samuel Steward (1909-93) was an English professor, a tattoo artist for the Hells. In a shocking turn, Valentino passed just a month after his encounter with Steward. A focus of the papers is Steward's sexual exploits, which are documented in diaries, photographs, and other papers, including Steward's stud file cataloging his sexual partners and records and writings produced for sexologist Alfred Kinsey. According to Steward's 'Stud File,' he gave Valentino oral pleasure and, it is rumored, preserved one of Valentino's hairs from 'down there' as a memento of the act. In the early 1960s, Steward reinvented himself again. B y the time Samuel Steward began to write his autobiography in 1978, at the age of 69, he’d had sex more than four thousand times with more than eight hundred men. Needless to say, Steward got a lot more than just an autograph, according to him at least. In gay publications, Steward had found the perfect outlets for his writing. Still using the name Phil Sparrow, among other pseudonyms, Steward published short stories in international magazine like Der Kreis in Switzerland and Eos and Amigos in Denmark. ![]() Many of the photographs, drawings, and writings Steward kept from his encounters were turned over to Alfred Kinsey for his research, but Steward put them to use for his own purposes, too. ![]()
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